Selected Bibliography Story names in italic type represent published titles. Story names not in italic type represent series from Mary Ellen Mark's personal filing system. Periodicals American Photographer. Ronald H. Bailey, "Mary Ellen Mark's Poignant Scrapbook: Ward 81" (June 1978): 44-56 (12 b&w). American Photographer. Mary Ellen Mark, "Falkland Road: Struggling to Survive in Bombay's Red-light District" (Apr. 1981): 60-68 (9 color). American Photographer. David Markus, "Great Pages of 1985" (Mar. 1986): 51-63 (Ethiopia, 1 color). Arete. "Mary Ellen Mark" (Jan.-Feb. 1990): 66-73 (portfolio, 7 b&w). Art in America. Pepe Karmel, "Photography" (Jan. 1982): 25 (review of Falkland Road). Art in America. Robert Silberman, "News in Color" (Mar. 1988): 34-43 (traveling exhibition: "On the Line: The New Color Photojournalism," photos of Miami Beach; 2 color). Artforum. Max Kozloff, "Meiselas, Mark, and Singh" (Nov. 1981): 175-184 (review of Falkland Road and books by Meiselas and Singh, 1 b&w). ARTnews. Margaret Moorman, "Mary Ellen Mark" (Apr. 1989): 152-153 (2 b&w). Bomb. Allen Frame, "Mary Ellen Mark" (Summer 1989): 44-49 (6 b&w). Border Crossings. "The Limits of Documentary" (Winter 1990): 21-23 (interview, 1 color). Camera. Allen Porter, "A Way of Seeing: Configuration versus Transformation: Mapplethorpe, Meyerowitz, Mark" (Sept. 1977): 3-32 (New York City bars, 14 b&w). Camera. Robert Haas, "Mary Ellen Mark" (June 1982): 24-31, 57 (10 color). Camera Arts. Gerald Perry, "Social Studies" (Dec. 1982): 8-16 (at the Maine Photographic Workshops, 1 b&w of Mark). Camera Arts. Fred Ritchin, "Off Camera, On Film" (Mar. 1983): 50-59, 84-85 (publicity stills from films, 11 b&w). Chicago Tribune. Abigail Foerstner, "Portraits That Disturb Our Images of the Mentally Ill" (Nov.14, 1986): sec. 7, pp. 98, 106 (Ward 81, 2 b&w). Close-Up. John Irving, "Amateur Wrestling: For Lovers Only" (Winter 1985): 64-77 (13 b&w). Darkroom Photography. Janis Bultman, "Street Shooter" (Jan.-Feb. 1987): 18-25 (interview; 5 b&w, 3 color). Das Magazin (Germany). "Triumph des Willens" (Oct. 1989): 32-37 (Senior Olympics, 5 b&w). Esquire. David Finkel, "One Point of Light" (Oct. 1989): 123-137 (family takes in homeless woman, 3 b&w). Esquire. "Those Guilded Moments" (June 1990): 134-139 (successful businesswomen, 3 b&w). Evergreen. Tony Wolff, "Psychedelic Burlesque" (July 1968): 35-43 (22 b&w). Focus: Santa Barbara. Uhlrich Keller. (Sept.-Oct. 1985): 23-24, 42-45 (Santa Barbara Contemporary Arts Forum, 4 b&w). Fortune. Myron Magnet, "America's Underclass: What to Do?" (May 11, 1987): 130-150 (problems in urban underclass life, 10 b&w). Fortune International. Myron Magnet, "America's Underclass: What to Do?" (May 11, 1987): 80-90 (problems in urban underclass life, 10 b&w). Foto (Scandinavia). Mikkel Aaland, "Mary Ellen Mark" (Feb. 1982): 43-49 (Ward 81, Appalachia, Streetwise, Indian Circus, and Falkland Road; 5 b&w, 2 color). Foto Magazin (Germany). "Krishnas Gaukler" (Apr. 1982): 90-98 (India, 8 color). Geo. Mary Ellen Mark, "Sidewalk Sideshows" (Jan. 1981): 74-92 (New Delhi: training monkeys and bears, and Indian ways of life; 16 color). Geo. Eric Lincoln, "Ladies and Gentlemen, Children of All Ages ... the Circus!" (Apr. 1982): 98-110 (Ringling Bros. and Barnum & Bailey Circus, 12 color). Globe Opera (France). Christian Cujolle, "Regard sur l'Opera" (Oct. 1988): 30-31, 62-71 (Paris Opera, 10 b&w). II Fotografo (Italy). Giovanna Calvenzi, "Viaggio ai confin della morte" (Nov. 1983): 14-21 (Mother Teresa, 12 b&w). Illustre. (France) "La vie commence a 14 ans" (May 1980): 34-38 (teenage mothers, 5 b&w). The Independent Magazine (England). A. N. Wilson, "God's Leading Man" (May 27, 1989): 42-47 (Billy Graham, 2 b&w). The Independent Magazine (England). Peter Dunn, "The Spirit of St. Louis" (Aug. 1989): 32-39 (Senior Olympics, 9 b&w). India Today (India). Sunil Sethi, "Street of Tears and joy" (July 1-15, 1981): 56-63 (Falkland Road; 2 b&w, 8 color). Infinito Reportages (Italy). Mimmo Candito, "Per Quanto Ancora Vedremo Foto Come Queste?" (Apr. 1986): 73-87 (Ethiopia, 10 color). Liberation (France). jean-Baptiste Harang, "Invites de Mark" (Aug. 3, 1988): 22-23 (at workshop in Arles). LIFE. Sara Davidson, "An 'Oppressed Majority' Demands Its Rights" (Dec. 12, 1970): 66-78 (women's liberation, 8 b&w). LIFE. Cheryl McCall, "The Young in Crime" (Fall 1977): 33-40 (special report on young criminals, 12 b&w). LIFE. Jim Watters, "The Private Apocalypse of Francis Coppola" (June 1979): 110-120 (publicity stills for Apocalypse Now; 1 b&w, 2 color). LIFE. Harriet Heyman, "Teresa of the Slums" (July 1980): 54-65 (Mother Teresa, 13 b&w). LIFE. Anne Fadiman, "Love in a Silent World" (Sept. 1982): 74-86 (Monika and Mike, a deaf couple; Gallaudet, a university for the deaf; 11 b&w). LIFE. Cyndi Stivers, "Dustin as 'Tootsie"' (Sept. 1982): 55-59 (Dustin Hoffman, 12 color). LIFE. Cheryl McCall, "Streets of the Lost" Uuly 1983): 34-42 (Streetwise, 19 b&w). LIFE. Cheryl McCall, "Camp Good Times" (Sept. 1984): 32-40 (camp for children with cancer and other illnesses, 16 color). LIFE. Cheryl McCall, "The Cruelest Crime" (Dec. 1984): 35-42 (sexual abuse of children, 13 b&w). LIFE. Cheryl McCall, "Cry, the Pitiless Land" (May 1985): 125-134 (Ethiopia, 14 color). LIFE. Anne Fadiman, "Benazir: Face to Face with the Woman Who Wants to Rule Pakistan" (Oct. 1986): 50-58 (Benazir Bhutto, 6 color). LIFE. Martha Fay, "Child of Silence" (Sept. 1987): 84-89 (autistic child, 8 b&w). LIFE. Anne Fadiman, "A Week in the Life of a Homeless Family" (Dec. 1987): 30-38 (cover photo of Meryl Streep, Homeless in America; cover, 7 b&w, 1 color). LIFE. Mary Voboril, "The Castaways: Fears about AIDS Drive Three Boys from Home" (Oct. 1987): 98-100 (three young brothers with AIDS, 4 b&w). LIFE. Katherine Seligman, "City of Lost Boys" (June 1988): 72-78 (homeless children in Khartoum, Sudan; 10 b&w). LIFE. Peter Meyer, "Children of Poverty" (Sept. 1989): 56-67 (10 b&w). LIFE. Lou Ann Walker, "To Reach the Unreachable Child" (Oct. 1990): 88-98 (Perkins School for the Blind, 5 b&w). LIFE. Anniversary Issue: 50 Years."Runaway Kids" (Fall 1986): 162, 247 (Streetwise, 3 b&w). LIFE. Anniversary Issue: 150 Years of Photography: Pictures That Made a Difference. "A New Breed" (Fall 1988): 146 (school for the blind in Kiev, 1 b&w). Look (England). Betty Rollin, "Fellini: He Shoots Dreams on Film" (Mar. 10, 1970): 48-53 (Federico Fellini, 18 color). Look (England). Mary Simons, "What the English Are Doing about Heroin" (Apr. 7, 1970): 47-57 (7 color). Look (England). Henry Ehrlich, "They Hardly Ever Make Passes at Glenda Jackson" (Dec. 29, 1970): 36-39 (4 b&w). Look (England). Betty Rollin, "George C. Scott: Nothing Ever Really Happens" (Apr. 20, 1971): 78-80 (4 b&w). Manchete (Brazil). "George C. Scott: 'Se depender de mim, este e o meu ultimo filme"' (Sept. 28, 1975): 142-143, 145 (5 b&w). Marie Claire (France). Frederique Drouin, "Sevices enfants" (Feb. 1986): 64, 66, 82 (sexual abuse of children, 6 b&w). Modern Photography. Andy Grundberg, "Photojournalism: Mary Ellen Mark" (June 1980): 100-101 (3 b&w). Modern Photography Annual. "Mary Ellen Mark" (1974): (small portfolio, 5 b&w). Ms. B. J. Phillips, "On Location with the W.A.C.S." (Nov. 1972): 53-63 (basic training, 34 b&w). National Geographic. Elizabeth Moize, "Sydney's Changing Face" (Feb. 1988): 246-265 (Australian immigrants, 13 b&w). National Geographic. Paul R. and Anne H. Ehrlich, "Population, Plenty, and Poverty: Flight to the Cities" (Dec. 1988): 934-937 (Brazil, 6 color). New England Monthly. Adrian Nicole LeBlank, "You Wanna Die with Me?" (Dec. 1986): 76-83, 109-111 (teenage suicide, 10 b&w). The New Republic. Stanley Kauffmann, "Stanley Kauffmann on Films: Children in the Street" (1985): 22-23 (review of the film Streetwise). The New York Times. Douglas C. McGill, "Women Rank High in Photojournalism" (Nov. 9, 1986): 76 (India, 1 b&w). The New York, Times. Andy Grundberg, "Photojournalism Lays Claim to the Realm of Esthetics" (Apr. 12, 1987): 29-30 (review of exhibitions "Contact: Photojouralism since Vietnam" and "On the Line: The New Color Photojournalism"). The New York Times Magazine. Tom Buckley, "The Day of the Locust" (June 2, 1974): 10-13, 50 (Publicity stills for film; cover, 13 color). The New York Times Magazine. Natalie Gittelsoii, "The Maturing of Woody Allen" (Apr. 22, 1979): 30-32, 102-107 (cover, 1 b&w, 1 color). The New York Times Magazine. Francis X. Clives, "Children of Desire" (Sept. 30, 1979): 36-43 (Teen Baby, 12 b&w). The New York Times Magazine. George Whitmore, "Reaching Out to Someone with AIDS" (May 19, 1985): 68-71, 87-93 (3 b&w, 2 color). The New York Times Magazine. Caryn James, "Auteur! Auteur! The Creative Mind of Woody Allen" (Jan. 19, 1986): 19-21 (cover, 2 color). The New York Times Magazine. Esther Fein, "Turning Kids Off Drugs" (May 24, 1987): 27-32 (drug rehabilitation program called "Kids of Bergen County," 5 b&w). The New York Times Magazine. Vicki Goldberg, "The Unflinching Eye" (June 12, 1987): 12-18, 20, 57-58, 61 (cover photo of and article on Mark; 7 b&w, 3 color). The New York Times Magazine, Ron Rosenbaum, "Too Young to Die?" (March 12, 1989): 32-35 (death penalty; color cover, 3 b&w). The New York Times Magazine. Mary Ellen Mark, "Victories of the Spirit" (Aug. 27, 1989): 28-31 (Senior Olympics, 5 b&w). New York Woman. Valerie Gladstone, "Mary Ellen Mark Shoots from the Heart" (Jan.-Feb. 1987): 92-97 (7 b&w, 2 color). New York Woman. Gail Collins, "Vicious Circle" (Apr. 1988): 81-85 (New York social workers, 5 b&w). New York Woman. Helen Benedict, "The Passionate Mind" (Nov. 1988): 74-79 (Susan Sontag, 2 b&w). Newlook. "Only in Miami: Don't Let the Coops Pass Me By" (Oct. 1985): 42-55 (Miami Beach, 16 color). Newsweek. Douglas Davis, "A Glimpse of Madness" (Jan. 23, 1978): 82 (Ward 81, 4 b&w). Nieuwe Revu (Holland). Francis X. Clives, "Een baby uit verveling" (Apr. 4, 1980): 48-53 (teenage marriage, 12 b&w). Nieuwe Revu (Holland). Peter l'Ami, "Miami" (Feb. 1986): 14-21 (Miami Beach, 7 color). Niewe Revu (Holland). Door Hennie Maatjes, "Een nieuwe golf immigration" (Sept. 1988): 32-37 (Australian immigrants, 8 b&w). Nieuwe Revu (Holland). "Ook dit is Dallas" (Aug, 1989): 20-25 (poverty in South Dallas, 8 b&w). Observer (England). John Heilpern, "In Search of the Miraculous" (Sept. 18, 1977): 30-41 (director Peter Brooks in desert with actors; cover, 9 color). Paris Match (France). Jack Garofalo, "Californie: C'est la follie" (Apr. 3, 1971): 44-59 (countercultures in California; 18 b&w, 8 color). Paris Match (France). jack Garofalo, "Sur la nouvelle route des Indes: Des enfants vagabonds" (Aug. 7, 1971): 33-43 (American hippies in India; 16 b&w, 9 color). Paris Match (France). jack Garofalo, "Du chat et de la souris" (n.d.): (Psychedelic Burlesque; 2 b&w, 3 color). Paris Match (France). "Les femmes en cage de Bombay" (Oct. 16, 1981): 3-16 (Falkland Road, 7 b&w). Paris Match (France). Willy Golberine, "Ethiopie la trop longue attente" (Aug. 2, 1985): 64-69 (Ethiopia, 5 color). The Pennsylvania Gazette. "When Alumni Come Back" Uuly 1964): 1-11 (alumni reunion; cover, 12 b&w). The Pennsylvania Gazette. "Jazzy Time for '64" Uuly 1964): 30-31 (alumni reunion, 1 b&w). The Pennsylvania Gazette. "Photographs by Mary Ellen Mark" (Jan.-Feb. 1971): 49-54 (5 b&w). The Pennsylvania Gazette. Anthony A. Lyle, "'Here I Am"' (Mar. 1978): 2 (article on Mark, 1 b&w). The Pennsylvania Gazette. "The Women on Ward 81" (Mar. 1978): 22-25 (cover, 14 b&w). People. "Spirit: 1 1 Female Priests Defy the Church" (Aug. 12, 1974): 54-55 (5 b&w). People. Jim Shepherd, "India's Modish Maharani Survives Even Armed Robbery in Style" (Feb. 24, 1975): 12-15 (the Maharani Gayatri Devi of Jaipur, 5 b&w). Photo (France). jean-Jacques Naudet, "Pavillon interdit" (June 1977): 102-111, 129 (Ward 81, 16 b&w). Photo (France). "Les refugies du comtoir" (Apr. 1978): 46-53, 91 (women and men in bars, 9 b&w). Photo (France). "Jeux Indiens du cirque" (Aug. 1980): 68-75 (Indian Circus, 9 b&w). Photo (France). "Les bouges de Bombay" (Oct. 1981): 68-81, 132, 134 (Falkland Road, 7 color). Photo (France). "Miami Beach" (Aug. 1983): 56-69, 90 (retirement in Miami, 16 color). Photo (France). "Les enfants fuguers: Partis sans laisser d'addresse" (Sept. 1983): 34-39 (Streetwise, 1 1 b&w). Photo (France). "Mary Ellen Mark" (Dec. 1986): 110-115 (Ethiopia and Mother Teresa, 10 b&w). Photo District News. Richard Hertzberg, "Archive Pictures' Unity in Diversity" (Nov. 1986): 68-70 (the Archive agency and the five photographers who started it, 1 b&w). Photo Japon (Japan). "Bombay Falkland Road" (Oct. 1984): 79-91 (Falkland Road, 8 color). Photo Vision (Olympus). "One Moment of the World" (June 24, 1984): 18-19 (Camp Good Times, 2 color). Photographer's Forum. Elizabeth LaBar, "Interview: Conversation with Mary Ellen Mark" (Feb.-Mar. 1980): 5-12 (Teen Baby, Ward 81, and Bombay; 3 b&w). The Professional Photographer. "Documenting Mankind" (July 1986): 26-27 (about Mark and Streetwise, 3 b&w). The Rangefinder. Michelle Borge, "Manuevering Art, journalism in Images" (Feb. 1990): 32-36 (5 b&w, 2 color). Revista Geografica Universal (Brazil). "Os artistas de Rua das Cidades da India" (May 1982): 41-51 (sidewalk sideshows, 16 b&w). Rolling Stone. Bob Spitz, "The New Spain" (June 6, 1985): 33-34, 38, 40, 42, 69 (7 b&w). Rolling Stone. Chris Hodenfield, "Brando: The Method of His Madness" (May 20, 1976): 34-39 (cover, 2 b&w). Rolling Stone. Jackie Mason, "Hail, Caesars!" (Nov. 3, 1988: 83-87 (Caesars Palace Hotel, 7 b&w). SF Camerawork. Jeffery Hantover, "Collaborative Spirit: The Making of Streetwise" (Fall 1985): 10-12 (3 b&w). Shagaku (Japan). "India: Falkland Road, Bombay" (1982): 646-663 (Falkland Road, 10 color). Smithsonian. Veenu Sandal, "India's Traditional Folk Artists Fight for a Place in the Future" (June 1985): 44-53 (Indian Circus, 11 color). Stern (Germany). Paula Almquist, "South East Asian Women" (Apr. 30, 1981): 164-180 (Thailand, 10 color). Stern (Germany). Eva Windmoller, "Die Madchen von der Falkland Road" (Sept. 3, 1981): 34-54 (Falkland Road, 13 color). Stern (Germany). Eva Windmoller, "Wohin miit den Alten" (Mar. 1984): 40-53 (Miami Beach, 11 color). Stern (Germany). Eva Windmoller. "Fremde im eigenen Land" (Sept. 29, 1988): 42-61 (Blacks in America, 14 b&w). Stern (Germany). Eva Windmoller, "Fremde in eigenen Land" (Oct. 6, 1988): 84-96 (Blacks in America, 3 b&w). Stern (Germany). Eva Windmoller, "Fremde im eigenen Land" (Oct. 13, 1988): 130-142 (Blacks ill America, 3 b&w). Stern (Germany). Karen Weber, "Das Leben, dieses Flittchen" (Oct. 12, 1989): 266 (portrait of author Toni Morrison, 1 b&w). The Sunday Times Magazine (England). Valerie Wade, "The Day of the Extra" (May 25, 1975): 28-32 (publicity stills for The Day of the Locust, 23 color). The Sunday Times Magazine (England). Ian Jack, "The Life of a Bombay Cage Girl" (May 24, 1981): 30-35 (Falkland Road; cover, 14 color). The Sunday Times Magazine (England). Peter Goodwin, "Whose Kith and Kin Now?" (Mar. 25, 1984): 26-37 (Zimbabwe; cover, 15 color). The Sunday Times Magazine (England). Simon Winchester, "The Loose Brick in the Wall" (Dec. 1, 1985): 27-32 (Philippines; cover, 12 color). The Sunday Times Magazine (England). Mike Bygrave, "On the Streets Where They Live" (Jan. 1986): 20-28 (Streetwise; cover, 7 b&w, 1 color). The Sunday Times Magazine (England). Simon Winchester, "The Fuhrer's Ghost" (Sept. 14, 1986): 36-41 (Aryan Nations Congress at Hayden Lake, Idaho; 9 b&w). The Sunday Times Magazine (England). Simon Winchester, "Exit Hong Kong" (Oct. 19, 1986): 28-38 (Hong Kong's fear of Communist China; cover, 3 b&w, 11 color). The Sunday Times Magazine (England). Mike Bygrave, "The Short Stardom of a Child Prostitute" (Feb. 2, 1986): 26-29 ("Tiny" of Streetwise; color cover, 5 b&w, 3 color). The Sunday Times Magazine (England). Marjorie Wallace, "Hope for the Shadow Children" (Mar. 13, 1988): 20-30 (school for autistic children, 8 b&w). Taj (India). "Sidewalk Sideshows" (Apr.-June 1981): 2-12 (8 color). Tempo (Germany). Tom Kummer, "Muttis Kampf manschinen" (Aug. 1989): 54-62 (Ironkids Triathlon, 7 b&w).